The Finished Article – MUSPRA 352

So for a strong minute now, I’ve been researching, writing and rewriting this article about the gender bias in music, focusing on Glastonbury. I also intend to enter this for a writing competition run by Rockhaq (The Student Music Journalism Community) and Artbeat Arts Community Festival. I have tried writing this on Rockhaq, but adding images proved difficult, so I’m writing it on here and i’ll post it in some way or another on Rockhaq with a link to this. Enjoy…

 

Last year, there was a campaign by Crack in The Road, they took that year’s major UK festival lineup posters and removed any all-male bands (shown directly below), leaving just a tiny minority of female-inclusive bands. This year, Emily Eavis stated in interview that there would be a lineup “strong on women” at Glastonbury 2016. If anything shows that the issue of gender bias is getting into the mainstream, it’s this, but what has the extent of the gender bias at Glasto looked like over the years?poster783 1000

 

 

 

 

 

Certainly Glastonbury is one of the most diverse festivals in the world, so surely they must represent the forefront of equality in music, so I thought it could be interesting to have a look at the gender balance in the artists playing Glasto in recent years.

I’ve taken the lineup posters from Glastonbury in five-year intervals from 1995 to 2015 and applied the same criteria Crack in The Road did in their campaign, producing the following data:

Untitled

What’s really interesting is while the number of female-inclusive acts decreased from 2010 – 2015, the total number of female members of those bands increased. This suggest that the women playing Glasto are clustering together more, making up a larger portion of the bands they’re in. Maybe as a backlash against the fact that it is still way more difficult to be successful in the music industry as a woman than as a man, especially for women who are instrumentalists rather than vocalists.

Recently, I have noticed a few examples of female artists who are really drawing attention to the issue of gender bias and trying to address it:

Savages defy the expectations of what women in music usually look and sound like. They play punk, an otherwise male-dominated genre, and look and dress very differently to a lot of women in music. Savages generally wear monochrome clothing, which is somewhat different to the colourful and revealing dress most pop artists adopt.

Last year’s discussion show ‘Whatever Happened to Rock ‘n’ Roll’ featured Savages’ singer, Jehnny Beth, talking about the issue of sexism in music and the assumptions made of all-female bands. “The easy thing people assume of us, because we’re a band of women, is that we’re a feminist band” she said. Given that all-female bands are still so rare, maybe people assume that they must be making a statement about feminism.

Whether or not you like her music, you have to respect Charli XCX, a Pop singer/songwriter who is very successful in her own music and who also writes for other artists. Since playing Glasto last year with her all-female band, she has used her success to increase awareness around the issue of gender bias, presenting ‘The F Word and Me’, a documentary looking at the trials of being a woman in music.

Another like this is Adele, who has achieved enormous fame, created enough wealth for The Sunday Times to name her the richest female musician ever, and this year became the first female to be booked to headline Glastonbury this century. So, even if the number of women at Glastonbury this year has not significantly increased, they do seem to be occupying the higher profile slots.

Regardless of this trend though, there is still a tiny minority of women in the main bands playing Glastonbury, and there has been since at least 1995. So why is this? Is it that there have not been any campaigns as strong or impactful as Crack in The Road’s? It seems unlikely, as we’ve seen feminism in music for decades now, and have had plenty of strong and influential gender-equality campaigners for even longer.

It starts to look like the music industry is such a sexist place that it does not include enough women to instigate a natural change in its gender equality. Whether this is down to conscious gender bias from those who could make a real difference, or simply that female musicians are being put off by the lack of female success in music. However, the tables are slowly beginning to turn: there has been a small increase in female artists at Glastonbury in recent years and more and more people are talking about the issue and beginning to take action on it.

The pace of change could increase in the near future due to the efforts of people like Emily Eavis and Crack in The Road, but it’s hard to imagine it would be that easy, otherwise why would it not have happened already? More likely, the change will need much more substantial support from bigger institutions. If female musicians are being put off music as a career because it is so hard to be a success, then maybe there needs to be more encouragement at an educational level to develop their musical abilities into a career. It’s this kind of grassroots action that could make the real difference to the music industry’s gender balance.

In the near-future, Glastonbury will probably see changes similar to those of the past 6 years, but possibly more exaggerated, thanks to awareness-raising by a combination of strong female role models (Savages, Charli XCX and Adele), Crack in The Road’s festival posters, and media discussion of the issue of gender bias in music. Once there are sufficient numbers of women in music, this change should become self-sustaining because of the perception of better gender equality in music, and the change may then even accelerate.

Since starting this article, the initial lineup poster for Glastonbury 2016 has been released and Crack in The Road have again removed the all-male bands (both shown below), showing a still considerable minority of female-inclusive acts. There has been a slight increase since last year, but a closer examination should show the bands listed containing more women overall, and so there being a bigger increase in female presence at Glastonbury than is immediately obvious.

Glastonbury-2016 glastonburyedit

 

 

 

 

 

 

Let’s hope that if we revisit this subject in another 10 years, gender bias in music will be much less of an issue that it still is today.

Advertisements

Crack in The Road Replied! – MUSPRA 352

A couple of days ago, I emailed Crack in The Road (the independent music blog whose poster campaign last year triggered my full recognition of the issue of gender bias in music, leading to me researching it, writing my college dissertation and an article based on the results) and they just got back to me! They say its fine for me to use their images when publishing my article on Rockhaq, I’m still trying to contact Glastonbury to get permission to use the original lineup posters, but have had no joy still, I’ll keep trying.

CITR Poster Permission Email2

CITR Poster Permission Email

The Final – MUSPRA 348

Last night, Dead Question played the Original Bands Showcase Final at The Musician. It was an awesome night with some great other bands playing: KermesIdle EmpireStating The ObviousJimmy Amnesia and James Cull and The Black Storm Nation.

In the lead up to this gig, I came up with the idea of starting the gig in a different way: I wrote a short cockney ringleader-style speech to be performed over This Lullaby by Queens of The Stone Age. I wore the makeup I used last halloween at the Oxjam gig at The Soundhouse:

Oxjam@The Soundhouse - 31/10/2015

Oxjam@The Soundhouse – 31/10/2015

a long black coat and a wide-brimmed hat. It went like this…

Ladies and gentlemen, boys and girls, and everyone in between, roll up, you won’t regret,

for tonight, we present a show of such debasement and degeneracy, you will not forget,

bring your sisters and your brothers, your fathers and your mothers,

a show for human, animal, everything in between, and beyond,

a show for good, bad, loving people, and vagabonds,

roll up,

For tonight, we present, Dead Question…

also, master Prince wore a fake witch’s nose and a nun’s habit, banging a gong and sending us careering into the first song with a scream of KICK OUT THE JAMS MOTHERFUCKER!

Intro Jam Into Into Glue – MUSPRA 348

Tomorrow, Dead Question have our OBS Semi-Final gig at The Musician, so today, we had a practice with the intention of writing a short intro jam and I came up with the idea of editing the Into Glue opening riff. Now its sounding awesome and I’m really looking forward to the gig. Really hoping we can make it through to the final, and if we do, hope to see you there on Sat 7th May…

OBS Semi-final Poster

Survey Results – MUSPRA 355

I got some more in-depth feedback from the students of my masterclass in the form of a survey. Overall feedback was quite positive, but there were a few areas it seemed could be improved on like planning to maintain fluidity throughout the lesson and providing more learning materials like videos. I felt like there was a lot of video use, so maybe using more varied forms of media like audio, notation and text would be beneficial. I could have also used more activities to aid the planning of it.

I’m really grateful to the students for coming along and taking part in my class and for taking the time to give me some feedback. This has been a great experience and one I hope to learn from and use to my advantage to maybe deliver more classes in future.UntitledUntitled2

Gender Bias at Glasto – MUSPRA 352

I’ve been busy writing an article on the gender bias in music, I’ve been looking at Glastonbury Festival lineup posters going back to 1995, and have found some quite interesting results. What triggered this was the poster campaign by Crack in The Road last year and Emily Eavis‘ statement earlier this year promising a lineup “strong on women” at Glasto 2016. Now, what’s interesting is the resulting campaign from CITR this year: it still shows women as a minority at Glastonbury…Glastonbury-2016 glastonburyedit

 

 

 

 

 

 

 

 

This shows something similar to what I predicted based on my research: not a huge increase in female-inclusive acts listed on the poster, but I think if I were to put some research into this, I would find a large increase in the total number of female performers at the festival.

Did My Masterclass – MUSPRA 355

So I did my Masterclass on Wednesday to a couple of students at Leicester College and really enjoyed the experience and the opportunity to share our views and insights into how to be unique as a drummer and musician. The initial response was really positive and I’ll be getting some more feedback from the students soon, so I’ll post an update once that’s back. Here’s what it looked like:

 

Semi-Final Instagram Poster – MUSPRA 348

So, on the 23rd April, Dead Question have our OBS Semi-Final at The Musician, Leicester, and you know how a few months ago, we had Jose design us some artwork based off my design? Well now I’ve designed a poster around it for our gig, also, check out the Dead Question Instagram page I run for more like this.